Eclectica (part II).

The most beautiful tunes emerge where boundaries fade. 
Our car is German, the television Korean, the coffee beans Bolivian, and we prefer to consume fruit and vegetables from our own region. The Ice cream Italian, and at home, there is a Swedish sofa next to grandmother’s buffet cabinet in the style of Mechelen. All is connected, undividable, unique. Everything is one. Eclectica.
Accordion player Gwen Cresens collects his musical material in this eclectic way. Globalization is his starting point when he approaches the music. Globalization is the condition to do so.

Bach, Mozart and Beethoven were famous great improvisors. Their starting point was the score, but the music came alive beyond the paper, through freedom and talent. Gwen Cresens follows this tradition with his quartet and in full dialogue with three accomplished jazz musicians: pianist Bart Van Caenegem (De Frivole Framboos, Brussels Jazz Orchestra), double bass player Janos Bruneel (Jack Van Poll Trio, Marjan Van Rompay Group) and drummer Matthias De Waele (Stéphane Mercier, De Looze/Machtel/De Waele Trio). 
Together, they play compositions by Gwen Cresens, exciting interpretations of Bach and Grieg, film music by Laurel & Hardy, and Brazilian 20th century dance music.  
Gwen Cresens approaches his music via the accordion, an instrument known in many cultures, thus making the word “genre” superfluous. 
As always, Tango and Valse musette lurk around the corner. 
All is one. Eclectica.


Gwen Cresens Quartet premiered during Odegand (Festival van Vlaanderen Ghent) for an audience of + 10.000 people. The Quartet since then played sold out at Klara in deSingel Antwerp and Coté Jardin Bijloke Ghent.
Their first album Eclectica appeared in collaboration with Warner Classics.